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      <image:caption>A photo from the National Archive of Georgia shows family and neighbors gathering around the deceased in Khoni, a town in the western Georgian region of Imereti. The exact year is unknown. As a sign of grief, all women have their hair down, while the men are wearing traditional Georgian clothing known as a chokha.</image:caption>
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      <image:caption>Village of Lia in Tsalenjikha District, Samegrelo-Zemo Svaneti Region. Lia is a small village with a population of 1523 people. It is 22 kilometers away from the administrative center of Samegrelo, Zugdidi. While I was staying in Zugdidi the locals told me there were two families grieving in the village Lia. Samegrelo is very interconnected: people have family members across different cities and villages. Consequently, news, particularly concerning matters of death, spreads rapidly throughout the region.</image:caption>
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      <image:caption>The funeral of a young child in Chiatura, 1918.</image:caption>
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      <image:caption>A funeral in Chiatura, 1918. Chiatura, located in the Imereti region in western Georgia. In the photo, a man is being buried while wearing a traditional hat common in the South Caucasus.</image:caption>
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      <image:caption>Funeral in Darkveti, Chiatura, western Georgia, 1918. As the burial procedures commence, attendees are requested to leave the cemetery. It is customary to depart before the conclusion of the burial as remaining until the end is regarded as unlucky.</image:caption>
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      <image:title>Work - Post Mortem</image:title>
      <image:caption>Death rituals in Georgia bring the deceased into the public eye, allowing everyone to share the existential burden collectively. Most death-related rituals to this day are conducted in people’s homes, where the body remains in the living room for up to five days. Funerals take place only on Tuesdays, Thursdays and Saturdays. In smaller villages, neighbours even refrain from turning on the TV as a sign of respect to the grieving family. Samegrelo, a region in western Georgia, has its unique approach to death. Among all parts of Georgia, Samegrelo stands out for its extensive use of visual tools to represent death and honor the deceased. During my week in Samegrelo, I encountered two families grieving in the village of Lia. Older generations in Samegrelo are accustomed to cameras during death rituals, as in the 1990s, they often hired videographers to document wakes and funerals. While explaining my interest in capturing these moments to the villagers, they expressed sadness over the globalization of death customs. Fewer people adhere to traditional funeral practices, opting instead to hire companies to manage the rituals.</image:caption>
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      <image:caption>Embodied Landscapes (2024) My work focuses on the study of connections. In this project, I decided to shift my perspective from researching the connections between human beings to exploring how humans and non-human beings relate to each other. It's a collaborative endeavour between myself, a photographer, and textile artist Linnéa Duckworth. Textiles became the medium that connected us. Textiles have the unique ability to transmit information and emotion, and they can inspire movement and influence how we perceive the world.</image:caption>
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